This, Chopin’s earliest work for piano and orchestra (1827), is followed by his last (completed in 1835) to round off in exuberant high spirits a highly recommended disc. There are echoes of Les Six, Stravinsky and Ravel, whose G major Violin Sonata surely provided the model for the languid, bluesy middle movement. Add you MP3 interpretation on this page ! We have included, where possible, the complete original Gramophone reviews, which are drawn from Gramophone's Reviews Database of more than 45,000 reviews. PLAYLIST VIDEO. As ever with works available in so many diverse recordings as the Chopin 2nd and 3rd piano sonatas, it's difficult to arrive at just one recommendable performance, and fortunately, not being a BBC "building a library" reviewer, I don't have to! This page lists all recordings of Piano Concerto No. Chopin: Works for Piano & Orchestra. This disc is a classic. Mark Obert-Thorn’s restoration of the 1953 sound is a model of remastery though even he cannot make the 1946 Second Concerto sound less than cramped. Allegro vivace Victor 78rpm Album DM 567 (032573 - 032580) Recorded … Their were made in 1958 and 1961, but still sound is very clear. Maurizio Pollini pf Philharmonia Orchestra / Paul Kletzki. Now, everything is accomplished without a care for studios and microphones, and with a degree of involvement that suggests an increase rather than a diminution of her love for these works. Comment Report abuse. Showing 1 - 10 of 274 results. 2 in F Minor, Op. The concerto was recorded shortly after the 18-year-old pianist’s victory at the Warsaw competition in 1959. Unlike many musicians, he felt at home in the recording studio and actually preferred working without an audience. CREDIT: National Park Service:https://www.nps.gov/media/video/view.htm?id=2C3D78F1-155D-451F-673DE435B4C115C3Description:Title: "Piano Concerto No. He wrote the Polonaise in October 1829, adding a touching Introduction the following July. 21 by Frédéric François Chopin (1810-49). Performances. But the piano’s the thing and Nebolsin proves himself a scintillating and persuasive Chopinist, alive to every detail and, indeed, subtly highlighting a few that are generally ignored. Helpful. The programme embraces Chopin’s Opp 33‑38 with the exception of the two Nocturnes, Op 37, though they’re not played in chronological order. Recordings Phonograph. Reviewed in the United Kingdom on 12 November 2020. No 1’s Rondo is the highlight of the disc, nonchalantly fleet-fingered, beautifully phrased and conveying a real joy of shared music-making. In fact, an arbitrary comparison with the Argerich/Dutoit EMI recording (see above) reveals far cleaner textual details and a more integrated keyboard and orchestral relationship. This video is about Chopin Piano Concerto No 2. 21 Alfred Cortot, piano Orchestra Uncredited [London Symphony Orchestra] John Barbirolli, conductor I. Allegro II. The Fantasia and Krakowiak are no less successful. This page lists all recordings of Piano Concerto No. Nowadays we might expect a wider dynamic range to allow greater power in the first movement’s tuttis but in all other respects the recording completely belies its age, with a near-perfect balance between soloist and orchestra. 21, is a piano concerto composed by Frédéric Chopin in 1829. New Releases. Is the delicate rhythmic play at the heart of the Third Sonata’s Scherzo virtually spun out of existence? | Was this prompted by ‘inspirational heat-of-the-moment’? Label: Celeste Catalogue Catalogue No: SOMMCD 061 Release Date: 01/02/2008 Number of Discs: 1 Artists: Tamami Honma, Vilnius String Quartet Composers: Bartlomiej Kominek, Frédéric Chopin Genre: Chamber Period: Romantic Liner Notes. Included here are Gramophone Award-winning albums, Recordings of the Month and Editor's Choice discs from Rubinstein, Argerich, Pollini, Perahia, Cortot, Grosvenor, and many more. It was first performed on 17 March 1830, in Warsaw, Poland, with the composer as soloist.It was the second of his piano concertos to be published (after the Piano Concerto No. Many of Rachmaninoff's recordings are acknowledged classics. The F sharp major Impromptu, almost a mini-ballade, is heard in another refined account, Pollini relishing the leggiero jeu perlé scale passagework at the close. Rarely in their entire history have the Chopin concertos received performances of a more teasing allure, brilliance and idiosyncrasy. The piece was written as a birthday present for Shostakovich’s nineteen-year-old son Maxim – … Thomas Edison, who was quite deaf, did not care for Rachmaninoff's playing and referred to him as a "pounder" at their initial … 2 in F minor, Op. Register now to continue reading Thank you for visiting Gramophone and making use of our archive of more than 50,000 expert reviews, features, awards and blog articles. 2.3.2.3 For Piano (Scholtz) 3 Free Recordings; 4 General Information; 5 Navigation etc. Probably two of the best recordings of what many say is the greatest piano concerto ever written. Recording Engineer - Julia Thomas, Editor ℗ 2020 Decca Music Group Limited A musician of uncommon sensitivity and intelligence, he was an exquisite Chopin player. The programme ends with Gulda’s own Epitaph for a Love, a strange mixed-up jazz effusion that includes some very odd vocals in Viennese dialect and a phantom reference to Chopin’s C minor Prelude. Listen III. Why not register today and enjoy the following great … About Mark Allen Group It’d be difficult for Pollini to produce an ugly sound (and he doesn’t here), but while the piano is captured from a slight distance (say the front row of the stalls), the pianist’s frequent nasal intakes of breath are recorded in close-up. As enthusiastic audience applause (discreetly rationed on the disc) makes plain, these two concertos were recorded live at Tel Aviv’s Mann Auditorium. It’s a deftly composed, attractively varied work and, as with the other items, the performance is exemplary. Source : Pandora Records/Al Goldstein Archive. Download MP3 (15.17 Mo): interpretation (by Neal O'Doan (Piano)) 158x ⬇ 229x. Schumann: Piano Concerto and Concert … 10 of the best: Essential Richter recordings. Monday, October 10, 2016, Complete with the original Gramophone reviews of 50 of the finest Chopin recordings available. CD (132) SACD (2) Presto CD (8) Download (179) Hi-Res Download … But she’s surely a great musician first and a great pianist second. Receive a weekly collection of news, features and reviews, Gramophone If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information. Krzysztof Urbański, conductor NDR Elbphilharmonie Orchester Echo Klassik award 2017 - “Concerto Recording of the Year: 19th Century" Juno award 2018 - “Classical Album of the Year: Large Ensemble" recorded June 2016. 1 in E minor, Op. Allegro vivace. https://www.gramophone.co.uk/.../article/the-50-greatest-chopin-recordings Sort by: Results per page: 10; 20; 30; 40; View: Filter results Show results filters Hide results filters. Share: An unusual but welcome new recording … Read more. Friedrich Gulda pf London Philharmonic Orchestra / Sir Adrian Boult. Performed by Neal ODoan (Piano); Seattle Philharmonic (Orchestra); Nico Snel (Conductor) … To find out more about subscribing to the Database, visit: gramophone.co.uk/subscribe. 2 was released, the critics recognized his brilliance and it was evident he had recovered. Or was it a deliberate attempt to come closer than others do to the surprisingly briskish metronome markings printed in the Eulenburg scores? Sort by: Results per page: 10; 20; 30; 40; View: Filter results Show results filters Hide results filters. Martha Argerich’s first commercially released recordings of the Chopin concertos were for DG; No 1 in 1968, No 2 in 1978. It’s a close call between this and Krainev and Kitaenko’s earlier and characterful cycle of Prokofiev’s concertos made for the Soviet label Melodiya in the late 1970s and early ’80s: with more up-front sound, the set is more colourful but also wearing … 2 in F minor, 3rd movement\" (adaptation) by Frédéric Chopin, Performer: Otto Neitzel (1852-1920) - piano Recording date: January 23, 1890 Recording location: Pianohaus Rudolph Ibach Sohn, Neumarkt, Cologne, Germany Recorded by: Theo Wangemann NPS catalog number: EDIS 93948 https://en.wikipedia.org/wiki/Otto_Neitzel https://en.wikipedia.org/wiki/History_of_sound_recording 1 in E minor, Op. The music may be sent smartly on its way by both conductor and soloist, but the patrician ease, nonchalant glitter and authority of Rubinstein’s playing are uniquely his to command. Konto und Listen Anmelden Konto und Listen Warenrücksendungen und Bestellungen. She’s hardly a comfortable companion, confirming your preconceptions. Perahia has never made any secret of his liking for the ‘inspirational heat-of-the-moment’ of a live performance as opposed to a studio recording, where ‘sometimes things get tame’. Verified Purchase. How she keeps you on the qui vive in the Second and Third Sonatas. If we're talking in terms of stereo recordings, then the performances I most often turn to are those by Vlado Perlemuter on … There’s an air of spontaneity, yet the expressive weight of each phrase is carefully considered, by York as well as by Wallfisch, giving the whole work a powerful sense of unity. Having enjoyed Nebolsin and his colleagues so much in the First Concerto it’s good to report that the second volume lives up to its predecessor in every way, and the slight reservations about the acoustic and workmanlike accompaniment seem marginal considerations here. Simon Laks had already settled in Paris when he wrote his 1932 Cello Sonata. Our lists of the 50 greatest Mozart, Beethoven and Bach recordings have proved phenomenally successful, and so we are proud to present 50 of the finest recordings of Chopin's music. As with many of the concertos in the series, the soloist is prominent in the recording, but this goes well with Chopin's concertos where the orchestra is more like an accompaniment rather than a counter force to the piano. All New & Future Releases (2) Last 90 Days (2) Format. Zum Hauptinhalt wechseln.de Hallo, Anmelden. This is very much Pollini’s disc, just as the First Concerto is very much the soloist’s show, but effacing as the accompaniment is, Pollini’s keyboard miracles of poetry and refinement could not have been achieved without one of the most characterful and responsive accounts of that accompaniment ever committed to tape. Recordings (6) Commercial (0) Accompaniments (0) Synthesized/MIDI (0) Recordings Complete Recording * #480551 - 29.41 MB - 32:08- 0.0/10 2 4 6 8 10 (-) - !N /!N /!N - 2385×⇩ - MP3 - Carolus. The English conductor Sir Adrian Boult was a prolific recording artist. I heard many recordings of these familiar works (for example: Zimmermann, Polish Festival Orchestra, DG), but this recording beats my all old favorites. In the Second Sonata, Pollini unites what Schumann called ‘four of [Chopin’s] wildest children’ into a family, a feat managed by few pianists, the first movement (with a da capo repeat) leading quite naturally into the Scherzo and so on. The recording by Paul Tortelier and Aldo Ciccolini of the last work Chopin published (Paris, 1847), which they couple with Rachmaninov's Sonata, has been a favourite of mine since it appeared. And if her free spirit leaves us tantalised, thirsting for Chopin’s First, Second and Fourth Scherzos as well as his Third, for example, she has also left us overwhelmingly enriched, forever in her debt. International licensing, If you are a library, university or other organisation that would be interested in an institutional subscription to. Who but Argerich, with her subtle half-pedalling, could conjure so baleful and macabre a picture of ‘winds whistling over graveyards’ in the Second Sonata’s finale, or achieve such heart-stopping exultance in the final pages of the Third Sonata (this performance is early Argerich with a vengeance, alive with a nervous brio). One is often conscious in this work of a mismatch between the characteristic elaboration of the piano part and the writing for cello, generally more plain and unadorned, but Raphael Wallfisch’s eloquence disposes of any problem; the two instruments, each with its distinctive role, balance one another perfectly. for Piano & String Quartet) quantity Add to basket. Add comment. Try Prelude No 14 for a virtuoso savagery beyond the world of other more ‘civilised’ pianists, or No 13 where Gulda’s rapture makes the music stretch seemingly to infinity. Prime Einkaufswagen. In fact, both that performance and this one by Mstislav Rostropovich and Martha Argerich are of strongly marked character, acutely, though differently, responsive to the music's every inflection, and both provide deep satisfactions. With thousands of Chopin interpretations out there, it can be hard to know where to start. Browse: Chopin - Piano Concerto No. … Tempi are judged to a nicety and, once again, in the finale of the concerto, Nebolsin’s insouciant playfulness is a real delight. However, his Piano Concerto No.2 is a gloriously free, wistful creation – particularly in the famous second movement, which guarantees the whole work’s enduring popularity. A lesser known Chopin work for cello and piano is the Introduction and Polonaise brillante, Op 3 (though it is not so little known as his Grand Duo on themes from Meyerbeer's Robert Ie Diable). 1), and so … Amazon Customer. Being an ardent fan of Chopin for over 60 years, this is one of the best interpretations of the 2 piano concertos I've ever heard. As a token of gratitude, Rachmaninoff dedicated the piece to the physician that helped him out of his … 11 by Frédéric François Chopin (1810-49). The Tortelier recording is somewhat warmer, the separation between the instruments better defined; yet this recording is excellent also. Chopin Cello Sonata . The recordings are impressively natural and if Dutoit occasionally seems awed if not cowed into anonymity by his soloist (the opening tuttis to the slow movements of both concertos are less memorable than they should be) he sets off Argerich’s charisma to an exceptional degree. Of the two recordings here, I prefer Rubinstein's interpretation of the 2nd, being rather more romantic than the 1st. Mstislav Rostropovich vc Martha Argerich pf. Martha Argerich pf Montreal Symphony Orchestra / Charles Dutoit. The four Mazurkas, Op 33, and three Waltzes, Op 34, not only form a contrast to the Ballade but are themselves contrasted with each other. This new performance is easily the best I have ever heard and one particularly enjoys the counterpoint of slow cello and fast piano, of ardent lyricism and exuberant virtuosity. Benjamin Grosvenor, Piano - Royal Scottish National Orchestra - Elim Chan, Conductor - Frederic Chopin, Composer - John Fraser, Recording Producer - Philip Siney, Recording Engineer - Hedd Morfett-Jone, Asst. Showing 1 - 10 of 254 results. But I am at last almost persuaded that it has been supplanted. Chopin’s orchestration, so frequently criticised and occasionally revamped by others, serves its purpose more than adequately and is handled here with workmanlike authority by Wit and his players, placed in an acoustic which borders on the roomy. A welcome change from the standard coupling of the two concertos, this programme is a distinguished addition to the bicentennial celebrations, an all-Polish affair with the exception of its Uzbek soloist. 5.0 out of 5 stars Very relaxing. The rarely recorded Là ci darem Variations are welded into a cohesive whole in what is a new benchmark recording (try the final pages of the Alla polacca variation, with Nebolsin’s left hand injecting a motoric rhythm against the non-stop right-hand semiquavers). New Releases. The pianist’s son, Paul Gulda, writes a moving and informative essay clarifying much of his father’s complexity and telling us, perhaps not surprisingly, that Alfred Cortot was among his chief musical idols. Here in all his glory is Friedrich Gulda the ultimate maverick pianist, yet beneath his determined assault on what he saw as the stuffy conventions of the music world (the Viennese world in particular) lay a pianist of genius aptly described by Martha Argerich, his one-time protégée, as ‘the most extraordinary and brilliant man I ever met’. Indeed, her earlier performances are infinitely less witty, personal and eruptive, less inclined to explore, albeit with the most spontaneous caprice and insouciance, so many new facets, angles and possibilities. Certainly all the live performances on these discs create a towering tribute to Chopin. Confusingly. Register now to continue reading Thank you for visiting Gramophone and making use of our archive of more than 50,000 expert reviews, features, awards and blog articles. MP3 file (audio) Carolus (2017/7/6) Performers Tanya Bannister (piano… Their grand gestures carry complete conviction and sweep us along, even over the finale’s obsessive repetitions. Time and again he casts a novel and intense light on even the most familiar phrase, making you hang on every note. The recording career of Russian pianist and composer Daniil Trifonov initially focused on the music of Frédéric Chopin.His first three albums, recorded in 2010 and released in 2011, exclusively consisted of works of Chopin: the first album, Daniil Trifonov plays Frédéric Chopin, consisting of music performed live in recitals in Italy, was released by Decca Records in April; … Three more great recordings… Vladimir Krainev (piano) Frankfurt Radio SO/Dmitri Kitaenko (1991-92) Apex 2564 61694-2. His recording career ran from November 1920, when working with Diaghilev's Ballets Russes he recorded the ballet music, The Good-Humoured Ladies, to December 1978, when he made his final recording … Here she revisits both concertos and offers an act of re-creative daring, of an alternating reverie and passion that flashes fire with a thousand different lights. Piano Concerto No. Mercifully uncut, unlike Rubinstein’s previous discs of both concertos with Barbirolli, these are astonishing performances, occasionally, particularly in the Second Concerto, content simply to astonish. Forever the nonconformist, Gulda may sometimes be wilful and irascible but he is never less than mesmeric and fascinating. Helpful. From her, Chopin is hardly the most balanced or classically biased of the Romantics. CHOPIN: Concerto No. All of these lists are, of course, subjective, but every recording here has recieved the approval of Gramophone's critics and are artistic and musical benchmarks. Read more. Top 10 Chopin recordings (2017 update) Gramophone Tuesday, November 14, 2017 Our guide to the ten best ways to expand your Chopin collection. Entdecken Sie. The performance of the Chopin Sonata is unusually successful. SHARE. Not only are they faster, but they are also of a more scintillating, scherzando-like lightness. This is absolutely the best recording of Frederic Chopin's Piano Concertos! Rachmaninoff first recorded in 1919, for Edison Records' unusual "Diamond Discs", as they claimed the best audio fidelity in recording the piano at the time. This is altogether a recording of magnificent playing. But in a guessing game perhaps it would be the two finales that would most betray the identity of the soloist. Even when he takes a rough hand to some of Chopin’s more intimate confessions, his way with his selection of Nocturnes creates a sense of drama and occasion light years away from more recent recordings. The First Concerto is given in Balakirev’s touched-up version and if in the studio Gulda’s playing is more disciplined, less free-thinking, it is also of a special imaginative delicacy and engagement. “Poetic is the best description for all Fedorova’s playing” - BBC Magazine - “Fedorova is a talented star who draws exquisite arcs of tension, allows the music to breathe fully, has delicate rubati, and exceptionally beautiful phrases to truly tell the story” - Opus Klassiek - 2016, Piano Classics label. Arthur Rubinstein pf Los Angeles Philharmonic Orchestra / Alfred Wallenstein; NBC Symphony Orchestra / William Steinberg. The music is full of masterful rhythm changes and poignant melodies. The expressive range of the Philharmonia on top form under Kletzki is exceptional, as is the accord between soloist and conductor in phrasing and shading. Here there is an almost arrogant dismissal of all difficulties and a prima donna stance sometimes hard to square with some of Chopin’s more delicate and ornate confidences. All New & Future Releases (1) Last 90 Days (1) Format. The recording is first rate. In the First Concerto, while recognisably the same pianist, Rubinstein is altogether more subtle, following his characteristic exuberance and extroversion with playing of a rapt magic and delicacy. The legendary Russian pianist would have been 100 this week. Again there may be moments in the Ballades and Barcarolle where the playing verges on hysteria but the sheer mastery and strength are like an elemental force of nature. In all but the finale of No 1 (where Pollini on EMI beats him by a minute) his timings throughout both works are considerably faster than most of his rivals on disc. CD (138) … The two slow movements are distinguished by exquisitely limpid cantabile and superfine delicacy of decorative detail while again conveying urgent undercurrents. It is salutary to be reminded that the Fantasia and Krakowiak were composed when Chopin was still a teenager (1828). Argerich’s light burns brighter than ever. In the scintillating coda Rubinstein takes his bravura to a spine-tingling edge, but in, for example, the Larghetto’s central storms there is a brusque, streamlined indifference to the music’s finer qualities. Chopin: Piano Concertos Nos. If you want to hear Chopin performance at its best, this list is the perfect place to start. CREDIT: National Park Service:https://www.nps.gov/media/video/view.htm?id=2C3D78F1-155D-451F-673DE435B4C115C3Description: Title: \"Piano Concerto No. 11. Franck Cello Sonata. But this is the first Piano Concerto the famous pianist/composer published. Wonderful ,cd throughly recommend it. Is the Funeral March too brisk, an expression of sadness for the death of a distant relative rather than grief for a nation? Indeed, she sets your heart and mind reeling so that you positively cry out for respite from her dazzling and super-sensitive enquiry. The best recordings by pianist Paul Lewis; Music for two pianos (2008) ‘Having quit the lists as a solo pianist, Martha Argerich has invented an equally brilliant career for herself as a chamber player, often with the young protégés she performs with at the Lugano Festival. Concerto No.2 Op.21 Frédéric Chopin. Enterprise . Such qualms or queries tend to be whirled into extinction by more significant felicities. When Piano Concerto No. Eldar Nebolsin pf Warsaw Philharmonic Orchestra / Antoni Wit. Murray Perahia pf Israel Philharmonic Orchestra / Zubin Mehta. Piano Concerto 2 - Chopin: Amazon.de: Musik. Pollini begins with a magnificent account of the Ballade No 2, the maelstrom that erupts after the pastoral first page sounding like a howl of despair. York and Wallfisch adopt a no-holds-barred approach to the ultra-romantic Szymanowski, a successful transcription of his early Violin Sonata. Chopin wrote the piece before he had finished his formal education, at around 20 years of age. Whether they were subsequently ‘doctored’ we don’t know, but the finished product brings us a Perahia miraculously combining exceptional finesse with an equally exceptional urgency. Get your team aligned with all the tools you need on one secure, reliable video platform. His Piano Concerto No.2, one of the greatest piano concertos, was written (like Grieg’s) in 1868 and was once described as a progression “from Bach to Offenbach”. She can tear all complacency aside. Chopin wrote of the second movement: “It is a Romance, calm and melancholy, giving the impression of someone looking gently towards a spot that calls to mind a thousand happy … MA Music, Leisure and Travel To this day, the piece is considered one of the best and most majestic concerti ever written. Comment Report abuse. Here's our list of essential Chopin recordings. Here, simply and assuredly, is one of the most magisterial talents in the entire history of piano playing. 2 Orpheus Chamber Orchestra recorded August 2018. The solo items are a further reminder of Pollini’s effortless bravura and aristocratic poise. Larghetto III. Gramophone is part of The Concerto No 2 was written a year later with Concerto No 1, confusingly, following a year after that. 1 & 2 (Arr. LIKE . Gramophone is brought to you by Mark Allen Group The Piano Concerto No. 1) The recording quality is excellent. You want to hear Chopin performance at its best, this list is the more.! 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