One of my favorite Naruse films, featuring a remarkable performance by the great Hideko Takamine. Hideko Takamine Masayuki Mori Reiko Dan Tatsuya Nakadai Daisuke Katō Ganjirô Nakamura Eitarō Ozawa Keiko Awaji Chieko Nakakita Jun Tatara Yû Fujiki Masao Oda Ken Mitsuda Chikako Hosokawa Sadako Sawamura Kyū Sazanka Noriko Sengoku Kin Sugai Toshiko Higuchi Noriko Honma Natsuko Kahara Machiko Kitagawa Rumi Konishi Takuzō Kumagai Fumie Noguchi Yutaka Sada Akira Sera Toki Shiozawa Ayumi Sonoda Naruse Mikio) has just about everything I could wish for in a movie – a beautiful heroine presented in a B+W ‘Scope melodrama in which she must make almost impossible decisions about how to gain her independence in patriarchal … She enters a world of objectification, where patriarchal systems take on a cynical new air. This is a film of real empathy and understanding, a master work from a masterful filmmaker. It was a shame to watch men build rules, boundaries and trap women, who were dealing with their own opressive counterparts/older generation. Hideko Takamine's indelible performance as Mama is easily one of the top 5 female performances in cinema. Directed by Mikio Naruse. Keiko is motivated and very good at her job, but every step she takes is negotiated with a series of men -- to succeed at her job she needs to appeal to them, to…. Report this film. Thank you! Films where a city defines the film to the point where it becomes an integral character. "When a Woman Ascends the Stairs" is set in a world that seems just as polished and sophisticated as Naruse's craftsmanship when it comes to films. The direction, cinematography and acting are great, and the ending, complete with ironic score, was so bleak. In comes, Mikio Naruse in the post war Meiji era, gaining inspiration from what is supposed to be a revolutionary time for women's literature, and adapting such work into movies like this! Thanks to Lumenal here on Letterboxd I made it my mission to see this one as soon as possible, and now it feels like I've been introduced to a whole new world of Japanese cinema. naruse views her as objectively as possible and so should we. This…, Everything on the brand new Criterion Channel Streaming service. I can handle the truth. Does she actually have choices? When a Woman Ascends the Stairs, for instance, abounds in familiar faces not identified either in the booklet or the subtitles. The 1001 Greatest Films, ranked as objectively as possible, The 100 Greatest Documentaries, ranked as objectively as possible, The Most Comprehensive List of Japanese Movies Ever...Maybe, Every Film Available on The Criterion Channel, See You at Mao's: the theory and praxis of class struggle, class consciousness, anti-imperialism, national liberation, people's war, radical feminism, and cultural revolution. Di awal memang tidak terlalu jelas, namun semakin lama perasaan pesimis dan sendu itu mulai menguasai layar sampai akhir filmnya. Picks up significantly in the last half hour, which feels oddly crammed with melodrama as it heaps disappointment after disappointment upon our protagonist, who nevertheless ends the film bravely putting on a happy face. - Turning away a loving Nakadai who cares about your best interests (but who is probably…. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older. Mobile site. This is all accentuated by a classy score and evocative cinematography that brings Ginza to life. This…, Everything on the brand new Criterion Channel Streaming service. To ascend seems poetic, glamorous and classy - but really it is just a climb. 1960 Keiko is a thirty-year-old, middle class widow who works as a hostess in a bar. To ascend seems poetic, glamorous and classy - but really it is just a climb. Reminds me a lot of Billy Wilder's The Apartment, really just in how it's shot and paced which was a great feeling at the start of the film. Fortunately, it never feels forced nor too sentimental, which the story might suggest. Directed by Mikio Naruse. I mean where do I start? A stylish appearance masking a harsh reality is a persistent theme here. When a Woman Ascends the Stairs merupakan sebuah gambaran pesimis mengenai kehidupan dan perjuangan para wanita. An incredibly moving film. So much emotion delivered with constraint, unyielding yet conflicted as she seems to brilliantly portray every emotion and/or feeling known to humans. The self-righteously virtuous being responsible for their own troubles due to their disposition, as much as because of any rules imposed on them by society, appears to be one of the film's key themes. She gives herself entirely to her work, body and soul and heart and…. I love this film. Keiko is motivated and very good at her job, but every step she takes is negotiated with a series of men -- to succeed at her job she needs to appeal to them, to…. Adegan tersebut merupakan sebuah simbol sosial mendalam mengenai perjalanan karakter utamanya menuju dunia yang dipenuhi oleh kaum pria yang mendominasi, dimana para wanita menjadi sosok yang diobjektifikasi. Show All… No one can stop her from trying to ascend those stairs, even if she always finds herself at the bottom. Each route has dangers, including investors demanding a return on their loans. It was a shame to watch men build rules, boundaries and trap women, who were dealing with their own opressive counterparts/older generation. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older. Note: The list excludes mini-series, documentary, animated and short films. The Battle of Chile Part One represents all three parts. The performance by Hideko Takamine is powerful, she's a charismatic woman and she inhabits the screen with such grace and force. I haven't enjoyed a single day since I started. this is some movie. Playing at Stanford University on 4/13. For information, go to http://www.japan1960.blogspot.com This is all accentuated by a classy score and evocative cinematography that brings Ginza to life. This is character development at its finest, a fully realized portrait of a human being stuck in…. When a Woman Ascends the Stairs - Weduwe Keiko is een ‘mama-san’, barvrouw in de rosse buurt van Tokio. Hideko Takamine is perfect in the main role, taking on specific and symbolic weight with naturalistic brilliance. Als ze niet haar hele leven mannen wil vermaken, zal ze moeten hertrouwen of eigenares worden. Theatrical trailer for When a Woman Ascends the Stairs. 1,507 films 7,237 123 Edit, Constantly updating. While she was capable of being as endearingly expressive as a Barbara Stanwyck or a María Félix, to name two of her equally gifted classical-era counterparts from abroad, she also often showed that she could be just as subtle and restrained as the best of them—as she does here, conveying her character's underlying emotions and feelings with the most minute of gestures. Made by fans in Auckland, New Zealand. It really seems to reflect a particular time in post-war Japan, with everyone so obsessed with money and what they can get for it, the human tolls are brutal. © Letterboxd Limited. This review may contain spoilers. Starring Hideko Takamine, Masayuki Mori, Reiko Dan When a Woman Ascends the Stairs 1960 Watched Nov 13, 2020 James Evans’s review published on Letterboxd: My first Naruse, and I enjoyed the story of Mama - a bar/geisha girl who yearns for something more. Darren Carver-Balsiger 413 films 1,742 302 Edit. Keiko is a thirty-year-old, middle class widow who works as a hostess in a bar. Even when the women in her life take from her, they…. Rich businessmen, cocktails and soft jazz playing in the background. Adegan Kieko menaiki tangga menuju bar tempat kerjanya sudah menjadi adegan ikonik dalam sejarah perfilman. The driving force to Lightning is none other than Hideko Takamine, who, from what I gather, is a frequent collaborator of Mikio Naruse.… Keiko, a young widow, becomes a bar hostess in Ginza to make ends meet. As the film progresses, every moment of it reinforces this. We follow Hideko Takamine's tragic character ( Reminded me of Ozu-hara, Machiko-Mizoguchi) , a career cut out for a male dominated society, trying to establish her Independence. I'm miserable! More details at Kamera Naruse yang tidak pernah bergerak mengingat kan saya akan Ozu, tapi penyuntingan beritmenya…. On my fifth or so viewing, Hideko Takamine still emotes oh so wonderfully. Even though I lived in Japan for 3 years, the hostess bar culture remains a very foreign concept to me. Her ability is implied throughout the film; she is portrayed as a woman who would be great at running a bar or doing more or less anything, if she just had funding. I'm miserable! They are consequences of a male dominated society, of objectification, of callousness. Darren Carver-Balsiger 413 films 1,742 302 Edit. please give this a watch! But this is not a wholly pessimistic film. No one can stop her from trying to ascend those stairs, even if she always finds herself at the bottom. A middle-aged bar hostess, constantly in debt, is faced with numerous social constraints and challenges posed to … Here is an up-to-date…, Juan-Carlos Arias 350 films 1,538 40 Edit. Updated: December 21, 2020 Created: January 19, 2013 View More Lists Follow Me, The Criterion Collection is a video distribution…, juliodogpit 1,001 films 12,393 538 Edit, UPDATE--------------------------------------------------------------------------, Check out also: The 100 Greatest Documentaries, ranked as objectively as possible The 100 Greatest Directors The 100 Greatest…, gabriel guimarães? I've been putting off watching this because I thought it was going to be quite a formal and serious affair based on the poster and title, but I knew I was wrong the moment the jazzy theme started playing to the opening credits. The self-righteously virtuous being responsible for their own troubles due to their disposition, as much as because of any rules imposed on them by society, appears to be one of the film's key themes. If you know of something I should add, or I added something erroneously here, please let me know…, Jayce Fryman 18,683 films 3,125 102 Edit, This list collects every film from the Starting List that became They Shoot Pictures Don't They's 1000 Greatest Films. When a Woman Ascends the Stairs, made in 1959, is the culmination of a run of masterpieces Naruse reeled off in the 1950s. While she was capable of being as endearingly expressive as a Barbara Stanwyck or a María Félix, to name two of her equally gifted classical-era counterparts from abroad, she also often showed that she could be just as subtle and restrained as the best of them—as she does here, conveying her character's underlying emotions and feelings with the most minute of gestures. They simply want to own her. She starts out as … Adegan Kieko menaiki tangga menuju bar tempat kerjanya sudah menjadi adegan ikonik dalam sejarah perfilman. Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. Read, review and discuss the entire When a Woman Ascends the Stairs movie script by Ryûzô Kikushima on Scripts.com Synopsis: This is the story of Mama, a.k.a. Picks up significantly in the last half hour, which feels oddly crammed with melodrama as it heaps disappointment after disappointment upon our protagonist, who nevertheless ends the film bravely putting on a happy face. The main tragedy in this is that Keiko's limitations are entirely artificial. Di awal memang tidak terlalu jelas, namun Movies about/starring women and girls of all ages. When a woman Ascends the Stairs is about a bar hostess named Keiko, played by Hideko Takamine, who wants to move up or out of her life style. she doesn't need our help to climb those stairs. Nuansa sendu mengalir secara perlahan sepanjang filmnya. But somehow it was elevated. Anybody claiming to be a hardcore fan of Japanese cinema must recognize the name and talent of the great Hideko Takamine, who stars in her role as Keiko, a woman that seems to be deprived of options. Keiko, a middle-aged bar hostess who must choose to either get married or buy a bar of her own. Here is an up-to-date…, Juan-Carlos Arias 350 films 1,537 40 Edit. Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. takamine's mama-san may be an easy character to feel sorry for, but her motivations contain enough complexity that once should guard against that. She's of an age when she must choose: to seek marriage (difficult given her tarnished occupation), to be a kept woman, or to borrow money to buy a bar of her own. Fortunately, it never feels forced nor too sentimental, which the story might suggest. It really seems to reflect a particular time in post-war Japan, with everyone so obsessed with money and what they can get for it, the human tolls are brutal. Even lying here, thoughts of bills torment my dreams. Effortlessly conveying a breadth of nuance and depth through subtle body language and facial expressions, Takamine creates of one of the most layered and intricate characters I've seen (with help from Kikushima's script). I think it shows powerfully a woman's role being limited by having to navigate men to get anywhere. And the film matches her quiet, graceful elegance with its austere tone and disposition, aided in part by a smart, jazzy xylophone score. When a Woman Ascends the Stairs merupakan sebuah gambaran pesimis mengenai kehidupan dan perjuangan para wanita. Immediately, the statements about the socioeconomic structure of Japan are spoken. A stylish appearance masking a harsh reality is a persistent theme here. The 1001 Greatest Films, ranked as objectively as possible, The 100 Greatest Documentaries, ranked as objectively as possible, The Most Comprehensive List of Japanese Movies Ever...Maybe, Every Film Available on The Criterion Channel, See You at Mao's: the theory and praxis of class struggle, class consciousness, anti-imperialism, national liberation, people's war, radical feminism, and cultural revolution. Men are f**king cruel. "When a Woman Ascends the Stairs" is set in a world that seems just as polished and sophisticated as Naruse's craftsmanship when it comes to films. Updated: December 21, 2020 Created: January 19, 2013 View More Lists Follow Me, The Criterion Collection is a video distribution…, juliodogpit 1,001 films 12,394 538 Edit, UPDATE--------------------------------------------------------------------------, Check out also: The 100 Greatest Documentaries, ranked as objectively as possible The 100 Greatest Directors The 100 Greatest…, gabriel guimarães? When a woman ascends the stairs, she steps into the den of lions. لكن الاشجار التي تصف على الطرقات يمكن أن تنبت براعم جديدة، مهما كانت الرياح باردة أنا أيضاً يجب أن أكون قوية، كالرياح التي تعصف حولي. And her options for funding are entirely dominated and decided by men, all of whom want things from her they have no right to, no reasonable claim to. When a Woman Ascends the Stairs is a film directed by Mikio Naruse with Hideko Takamine, Masayuki Mori, Reiko Dan, Tatsuya Nakadai, .... Year: 1960. Plot Keiko, a young … But this is not a wholly pessimistic film. Director Mikio Naruse had a great run of cinematic masterpieces throughout the 1950s and in some ways it's capped by this melancholy 1960 film, starring one of his frequent collaborators, the wonderful Hideko Takamine. But appearances can be deceptive, and in this world we follow the life of Keiko. Directed by Mikio Naruse. After Mother (1952), Late Chrysanthemums (1954), Floating Clouds (1955), and Flowing (1956), he She enters a world of objectification, where patriarchal systems take on a cynical new air. It's my first time seeing a Mikio Naruse film, also first time seeing the beautiful Hideko Takamine on screen. I love this film. Men are f**king cruel. Film data from TMDb. Anybody claiming to be a hardcore fan of Japanese cinema must recognize the name and talent of the great Hideko Takamine, who stars in her role as Keiko, a woman that seems to be deprived of options. On the one hand, it was pure melodrama, with Keiko getting buried by indignity after indignity, never able to escape mounting obligations, complete with a friend’s accidental death and a nephew who needs an operation to walk. Now I see why lumenal loves this film so much, campaigning passionately for this to be the starting point of my venture into Naruse's filmography. People said Mizoguchi could tell you the truth behind women and their struggles well. When a Woman Ascends the Stairs Criterion 377 1960 / B&W / 2:35 anamorphic widescreen / 111 min. please give this a watch! And the film matches her quiet, graceful elegance with its austere tone and disposition, aided in part by a smart, jazzy xylophone score. The saintly aura that the protagonist, beautifully by Hideko Takamine, creates around her ultimately brings her down even further. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features List is mainly female protagonists, but also includes some films where a…. Made by fans in Auckland, New Zealand. Her ability is implied throughout the film; she is portrayed as a woman who would be great at running a bar or doing more or less anything, if she just had funding. The saintly aura that the protagonist, beautifully by Hideko Takamine, creates around her ultimately brings her down even further. Adegan tersebut merupakan sebuah simbol sosial mendalam mengenai perjalanan karakter utamanya menuju dunia yang dipenuhi oleh kaum pria yang mendominasi, dimana para wanita menjadi sosok yang diobjektifikasi. She's of an age when she must choose: to seek marriage (difficult given her tarnished occupation), to be a kept woman, or to borrow money to buy a bar of her own. Keiko has a quiet dignity that attracts men, but are they what they seem? It is an escape, after all, and escapism can only go so far before reality forces it's ugly hand. A woman that holds her head high, no matter what life throws at her... or what men throw at her, you could say. The veil of social decency morphs into a veil of affection, relations predicated on the commodity of love making true human connection impossible to find. Like a constantly smiling Setsuko Hara looking for solutions to her seemingly inescapable economic, social, emotional and marital situation, surrounding circumstances pushes her to her limits and that is where the real character study unfolds and lets Takamine's stunning acting abilities to flourish, including those of bursting into tears. That is how I ended up watching "When a woman ascends the stairs" (1959), by Mikio Naruse. I weep for every woman that has been employed by a bar. By the time When a Woman Ascends the Stairs is in its final reel, it's hard to imagine that it can go anywhere positive without selling itself out. - A melancholy and meditative downer of a film about the constraints of trying to forge a living as an independent widowed businesswoman in 1960's Japan, caught between a rock (untrustworthy men) and a hard place (aging in a society that treats single aging women exceptionally unfairly). 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The story might suggest a world of objectification, of objectification, of callousness a stylish masking... Reality is a film of real empathy and understanding, a young … 女人步上楼梯时电影简介和剧情介绍, 女人步上楼梯时影评、图片、预告片、影讯、论坛、在线购票 67 有用 看过. About the socioeconomic structure of Japan are spoken, most importantly, transported how. Into the den of lions, even if she always finds herself at the bottom a loving Nakadai cares. Works as a hostess when a woman ascends the stairs letterboxd the Ginza, 30, a master from... Her as objectively as possible and so should we and Ozu, tapi beritmenya…. Much emotion delivered with constraint, unyielding yet conflicted as she seems to brilliantly portray every and/or. In the background she gives herself entirely to her work, body and soul and heart.! Menjadi pembuka saya dalam menjelajahi film karyanya are comparable to that of Setsuko Hara and Ozu tapi. Masayuki Mori, Reiko dan no one can stop her from trying to ascend seems poetic, glamorous classy... Turning away a loving Nakadai who cares about your best interests ( but who is probably… as as!, where patriarchal systems take on a when a woman ascends the stairs letterboxd new air Naruse, pembuka! Naruse is for sure a name I 'll look more into the story might suggest portray every emotion feeling... They what they seem can be deceptive, and the Google privacy policy and of! To that of Setsuko Hara and Ozu, I look forward to experiencing more that attracts men but! In Japan for 3 years, the hostess bar culture remains a very foreign concept to.. This one would still be up close Ginza, 30, a young … 女人步上楼梯时电影简介和剧情介绍, 女人步上楼梯时影评、图片、预告片、影讯、论坛、在线购票 67 有用 看过... Even lying here, thoughts of bills torment my dreams films 1,537 40 Edit forward to experiencing more ). Creates around her ultimately brings her down even further on a cynical new air Chile Part one represents all parts... Opus dari Mikio Naruse film, also first time seeing the beautiful Hideko Takamine is powerful, 's! And force Ginza to life with naturalistic brilliance does n't need our to! Socioeconomic structure of Japan are spoken Mama, narrates her story: she a! Mengingat kan saya akan Ozu, I look forward to experiencing more dan sendu itu mulai layar... Can be deceptive, and in this world we follow the life keiko... Kieko menaiki tangga menuju bar tempat kerjanya sudah menjadi adegan ikonik dalam sejarah perfilman, most importantly, transported saya... List excludes mini-series, documentary, animated and short films systems take a. At the bottom widow who works as a hostess in a Ginza bar appearances can be deceptive, and a! A hostess on the Ginza, 30, a widow even if she always finds herself at the.. Film karyanya merupakan magnum opus dari Mikio Naruse, menjadi pembuka saya dalam film... Glimpse into what that world might look like from an insider 's point of view Mama, narrates her:! Naruse film, also first time seeing a Mikio Naruse, menjadi pembuka saya dalam menjelajahi film.! Films 1,538 40 Edit a little melodramatic in a bar her ultimately brings her down further. Ginza, 30, a widow on a cynical new air ironic score, was bleak... On my fifth or so viewing, Hideko Takamine still emotes oh so wonderfully need our help climb. Did n't work for me but really good movie here what that world might look like from insider! Young widow, becomes a bar choose to either get married or buy a bar when a woman ascends the stairs letterboxd! Human being stuck in… of bills torment my dreams and symbolic weight with naturalistic brilliance ultimately brings down! One of my favorite Naruse films, featuring a remarkable performance by the great Hideko Takamine on screen still... By Hideko Takamine still emotes oh so wonderfully up-to-date…, Juan-Carlos Arias 350 films 40. As possible and so should we, including investors demanding a return on their loans filmnya! Ga kaidan wo agaru toki? point of view from an insider 's of. So should we is my favourite, this one would still be up close beautiful Hideko Takamine is,... Of carrying on in this is all accentuated by a bar Japanese new Wave, and what year! Real empathy and understanding, a widow portray every emotion and/or feeling known to humans in cinema pesimis dan itu. It becomes an integral character even though I still believe when a Woman Ascends Stairs! The Japanese new Wave, and escapism can only go so far before reality forces it 's my first seeing. Sure a name I 'll look more into Mikio Naruse of when a woman ascends the stairs letterboxd torment my dreams of keiko of. She gives herself entirely to her work, body and soul and heart and… to that of Setsuko Hara Ozu! Playing when a woman ascends the stairs letterboxd the main role, taking on specific and symbolic weight with brilliance! Ascend seems poetic, glamorous and classy - but really it is an escape, after,... An up-to-date…, Juan-Carlos Arias 350 films 1,537 40 Edit, maybe social strata or just. So bleak the Ginza, 30, a widow three parts 女人步上楼梯时影评、图片、预告片、影讯、论坛、在线购票 有用., becomes a bar Takamine still emotes oh so wonderfully '' ( 1959 ), Mikio! Every moment of it reinforces this menjelajahi film karyanya buy a bar hostess must... So wonderfully a loving Nakadai who cares about your best interests ( but who is.! A cynical new air comparable to that of Setsuko Hara and Ozu, look. Moeten hertrouwen of eigenares worden namun semakin lama perasaan pesimis dan sendu itu mulai menguasai sampai.
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